DJI’s Mavic 4 Pro has landed, and it’s fronting a brand-new 100MP Hasselblad sensor and a pair of telephoto lenses. The drone tucks its imaging kit into a refined Infinity Gimbal that can pirouette a full 360 degrees. Whether you're tracking a skyline or orbiting a subject with cinematic flair, this drone’s got moves. With up to 51 minutes of airtime, smarter obstacle sensing in every direction, and 30km HD video transmission range, this drone looks like it's built to go the distance!
Its triple-lens system covers 28mm, 70mm, and 168mm focal lengths. Each lens supports Dual Native ISO Fusion and RAW stacking of up to five frames. Plus, you can toss in clever tricks like Free Panoramas and Subject Focusing, and you’ve got pro-level imaging every time you take off.
The Mavic 4 Pro’s main event is a reworked 4/3 CMOS Hasselblad camera, now flaunting a brand-new 100MP sensor and backed by the Hasselblad Natural Colour Solution (HNCS) for true-to-life tones. DJI says its adjustable f/2.0–f/11 aperture lets you handle low light with ease and even pull off 10-ray starburst effects.
DJI Mavic 4 Pro features 100MP Hasselblad sensor and a 360-degree rotation Infinity Gimbal
Combined for the ultimate aerial camera, starts at $2357 (approx. Rs.2,00,000)
The 70mm medium tele lens brings a 48MP 1/1.3-inch sensor and wide f/2.8 aperture, now boosted by an upgraded image processing engine.Then there’s the long reach – a 168mm tele lens powered by a 50MP 1/1.5-inch sensor and the same f/2.8 aperture. This one’s tuned with a dedicated gimbal algorithm built specifically to keep things steady at a distance.
The Mavic 4 Pro's extended telephoto reach flattens perspective for subject-isolation effect. With Subject Focusing in play, capturing cinematic, zoomed-in shots feels effortless. It's Free Panorama mode looks impressive, stitching together hyper-detailed skyline sweeps and zoomed-in cityscapes.
All three cameras shoot in 4K/60fps HDR, but the Hasselblad main lens takes it up a notch with glorious 6K/60fps HDR and 16-stop dynamic range. The medium and long tele lenses clock in at 14 and 13 stops, respectively. For slow-motion lovers, 4K/120fps is available on the main and medium tele cameras, while the long tele handles 4K at 100fps.
Colour grading gets a professional edge thanks to 10-bit D-Log, D-Log M, and HLG profiles across all three cameras. And, in a DJI first, the Mavic 4 Pro debuts a gimbal that fully rotates 360 degree and tilts 70 degree upwards, unlocking creative angles like cinematic Dutch tilts and anti-gravity pans—all straight from the sky.
The 70mm medium tele lens brings a 48MP 1/1.3-inch sensor and wide f/2.8 aperture, now boosted by an upgraded image processing engine.Then there’s the long reach – a 168mm tele lens powered by a 50MP 1/1.5-inch sensor and the same f/2.8 aperture. This one’s tuned with a dedicated gimbal algorithm built specifically to keep things steady at a distance.
The Mavic 4 Pro's extended telephoto reach flattens perspective for subject-isolation effect. With Subject Focusing in play, capturing cinematic, zoomed-in shots feels effortless. It's Free Panorama mode looks impressive, stitching together hyper-detailed skyline sweeps and zoomed-in cityscapes.
All three cameras shoot in 4K/60fps HDR, but the Hasselblad main lens takes it up a notch with glorious 6K/60fps HDR and 16-stop dynamic range. The medium and long tele lenses clock in at 14 and 13 stops, respectively. For slow-motion lovers, 4K/120fps is available on the main and medium tele cameras, while the long tele handles 4K at 100fps.
Colour grading gets a professional edge thanks to 10-bit D-Log, D-Log M, and HLG profiles across all three cameras. And, in a DJI first, the Mavic 4 Pro debuts a gimbal that fully rotates 360 degree and tilts 70 degree upwards, unlocking creative angles like cinematic Dutch tilts and anti-gravity pans—all straight from the sky.