From the moment I queued up Coltrane’s My Favorite Things, it was clear that Sony hasn’t phoned in the audio tuning on the WF-C710N. These earbuds may be positioned in the “affordable ANC” bracket, but their sonic performance betrays a more mature and deliberate engineering effort than the price would suggest. Let’s break it down.
Bass is the first thing that hits you — not with boomy overkill, but with definition and intent. Sony has long had a reputation for pushing the low end on its consumer products, but here, they’ve shown restraint. The sub-bass extension is audible and present without overpowering the rest of the spectrum. It’s rounded, controlled, and only thumps when the mix demands it. In Massive Attack’s Angel, for example, the low-frequency pulse maintains its ominous tone without muddying the midrange textures.Speaking of midrange, this is where the WF-C710N genuinely impresses.
Vocals are front and centre, cleanly separated, with enough warmth to sound natural but enough edge to cut through dense arrangements. Female vocals, in particular — think Adele or Norah Jones — carry a velvety richness that’s rare at this price point. Instruments like acoustic guitars and piano sit confidently in the centre image, without smearing or congestion.
The treble is smooth — perhaps too smooth, depending on your personal taste. There’s a slight roll-off above 10kHz that limits airiness and sparkle, which means cymbals and string overtones don’t shimmer quite as much as they could. But on the flip side, this tuning avoids harshness and sibilance, even on poorly mastered tracks — a sensible move given the earbuds' broad target audience. For most listeners, it’s a safe and fatigue-free top end.
Imaging and stereo separation are surprisingly spacious for an in-ear design. Panning effects in Radiohead’s Weird Fishes travel convincingly from left to right, and the soundstage feels wider than average for true wireless buds — not cavernous, but certainly room-like. These aren’t analytical reference monitors, but they don’t sound boxed in either. From a technical standpoint, the dynamic range is decent, though limited by codec support — you’re getting SBC and AAC, but no LDAC or aptX. That said, on a modern smartphone with clean output and high-bitrate files or streaming, these earbuds respond beautifully. Quiet passages retain detail without collapsing into mush, and louder transients never clip or distort.
One area where they could improve is instrument separation during complex mixes. Throw something dense at them - like a full orchestral score or a modern pop mix packed with layers — and the WF-C710N can occasionally blur elements together, particularly in the upper mids. But that’s a limitation of the driver class and DAC architecture, not the tuning. Still, for casual listening, even critical listening on the go, the sonic profile here is deeply satisfying. It’s musical, composed, and reassuringly un-fatiguing — exactly the kind of sound you'd want in a pair of everyday earbuds with ANC.