Upscaling standard HD stuff, like old episodes of The Big Bang Theory, is admirable but not perfect. Things can look a little soft compared to native 4K. Motion handling and clarity, however, are generally well-judged, keeping action scenes relatively smooth. The 2025 model boasts DLG (Dual Line Gate) tech, letting the native 60Hz panel mimic 120Hz for smoother gaming or sports – though this likely comes at the cost of resolution, so hardcore gamers might want to manage expectations. There’s no VRR or ALLM for gaming either, and the TV doesn’t support HDR at 4K gaming. So if you’re plonking your PS5 into this, HDR wouldn’t be supported.
Now, for the nitpicking. Colour uniformity isn’t its strongest suit, particularly around the edges where things can look slightly off compared to the centre. And because this uses edge-lit backlighting (lights around the frame) rather than full-array (lights directly behind the whole screen), you can spot its limitations in torture tests.
There’s very little distracting blooming (halos around bright objects on dark backgrounds) in tricky scenes, like the candle-lit hallways in Shogun's "Crimson Sky" episode. Highlights on those flickering flames are tight, and brightness is fairly uniform towards the centre. However, darker scenes viewed near the edges can betray a mild halo effect.
No scene demonstrates this edge-light bleed better than the opening of Our Oceans (the one narrated by Barack Obama). Watching those deep ocean shots, you might notice the blue hues on the very edges appearing brighter than the rest of the scene. It’s a tell-tale sign of edge lighting. That said, even with this slight uniformity issue, Dolby Vision content still looks impressive. Contrast and highlights are often well-balanced; those white splashes of crashing waves ping with impressive brightness and tight detail. The darker areas aren't as deep and inky as you'd get on a pricier OLED, but it’s a respectable performance.
A quick word on Adaptive Luma Control. It does a good job of boosting colour punch in scenes that might otherwise look washed out. Keeping it on 'Low' seems a good starting point. For older HD shows, though, you might find turning it off gives a more natural picture.